Damien Maloney
Nikos Economopoulos. Macedonia region. Believers attending a religious local festival under a sudden downpour. 1995. by RachelRiley .
Alex Webb View profile Toward Monte Verde. 1996. Max with rainbow. posted by RachelRiley
Untitled No. 77, 1995 © Frederic Weber posted by RachelRiley
. on Flickr.
Presov, Slovakia
May 2013
"Beauty has always been a tactical thing for me. If I thought I could get a across the points I want to make without beauty, then I would dump beauty tomorrow."
Short film about Simon Norfolk’s Burke+Norfolk.
“But when I watched the short documentary film, I was struck by his words, and his willingness to put his politics where his photographers were. He spoke with surprising honesty not just about what he thought of the work being produced by embedded photographers, but also about the entire war and its objectives. This is very rare to hear when it comes to working photojournalists. Most professionals prefer to hide their personal politics and opinions behind vague statements about ‘bearing witness’ or ‘asking only questions, and not offering answers’ and other such obfuscations that hide their fear of being marginalized in the rather small, cliquish and deeply conservative editorial world that is photojournalism.”
- Asim Rafiqui writes about Norfolk and his project on in a post called “Against Whispering” on his blog A Spinning Head.